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Liste des chorégraphies

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  WAITING FOR YOU

  WASHED UP IN AUSTIN

MUSIQUE : Austin – Dasha
CHORÉGRAPHIE : Maddison Glover (AU) : 01.2024
NIVEAU : Intermediate   /   TYPE : 2 murs – 64 temps – Départ après 32 temps
DIVERS : Ending ***
LIENS : Clip   –   Danse   –   Script

Bientôt disponible

Bientôt disponible

  WE CAN’T WAIT

MUSIQUE : I Don’t Wanna Wait – David Guetta (FR) & OneRepublic (US)     2:30 / 130 BPM 
CHORÉGRAPHIE : Gary O’Reilly (IE) & Maggie Gallagher (UK) : 05.2024
NIVEAU : Absolute Beginner   /   TYPE : 4 murs – 32 temps – Départ après 32 temps (9 murs au total)
DIVERS : Ending***
LIENS : Clip   –   Danse   –   Script

S.1  1-2-3-4 VINE TO RIGHT – LEFT TOUCH  5-6-7-8 VINE TO LEFT – RIGHT TOUCH

S.2  1-2-3-4 RIGHT V-STEPS (RIGHT OUT – LEFT OUT – RIGHT IN – LEFT IN)  5-6-7-8 RIGHT V-STEPS (RIGHT OUT – LEFT OUT – RIGHT IN – LEFT IN)

S.3  1-2-3-4 MONTEREY 1/4 TURN RIGHT (3h)  5-6-7-8 RIGHT STEP FORWARD – LEFT KICK – LEFT BACK STEP – RIGHT TOUCH

S.4  1-2-3-4 RIGHT DIAGONAL STEP FORWARD – LEFT TOUCH – LEFT DIAGONAL BACK STEP – RIGHT TOUCH  5-6-7-8 SLIGHT RIGHT DIAGONAL STEP FORWARD + HIP BUMP FORWARD – HIP BUMP BACK – HIP BUMP FORWARD – HIP BUMP BACK ***

***   Ending here : add 1 count, 1 1/4 TURN LEFT + RIGHT SIDE STEP

Let’s make tonight the weekend, I don’t wanna wai-aitI don’t wanna wai-ait, I don’t wanna waitGot no reason not to celebra-ateBaby, I just don’t wanna wait
 
Swimming in the deep blue got me thinking ’bout youI’m just tryna dive right inWanna spend tonight like the last night of our livesChasing all the love we can
 
And now, oh, I’m in a sea of lightsAnd all that I can see is youAnd now I’m dyin’ to feel aliveSo baby, let’s try something new
 
Let’s make tonight the weekend, I don’t wanna wai-aitI don’t wanna wai-ait, I don’t wanna waitGot no reason not to celebra-ateBaby, I just don’t wanna wait
 
Tonight’s the weekend, I don’t wanna wai-aitI don’t wanna wai-ait, I don’t wanna waitGot no reason not to celebra-ateBaby, I just don’t wanna wait
 
I’ve been chasing so long, every right that feels wrongRather be with you insteadThere’s something about it right here, got me seeing so clearRainbow-colored skies ahead
 
And now, oh, I’m in a sea of lightsAnd all that I can see is youAnd now I’m dyin’ to feel aliveSo baby, let’s try something new
 
Let’s make tonight the weekend, I don’t wanna wai-aitI don’t wanna wai-ait, I don’t wanna waitGot no reason not to celebra-ateBaby, I just don’t wanna wait
 
Tonight’s the weekend, I don’t wanna wai-aitI don’t wanna wai-ait, I don’t wanna waitGot no reason not to celebra-ateBaby, I just don’t wanna wait
 
Let’s make tonight the weekend, I don’t wanna wai-aitI don’t wanna wai-ait, I don’t wanna waitGot no reason not to celebra-ateBaby, I just don’t wanna wait

  WELCOME TO THE HOTEL CALIFORNIA

MUSIQUE : Hotel California – Ray Horton (US) : 2001     4:16 / 89 BPM 
CHORÉGRAPHIE : Micaela Svensson Erlandsson (SE) : 01.2022
NIVEAU : Beginner   /   TYPE : 2 murs – 32 temps – Départ après 32 temps (11 murs au total)
DIVERS : Ending ***
LIENS : Clip   –   Danse   –   Script

Bientôt disponible

On a dark desert
highway, cool wind in my hair
Warm smell of colitas, rising up through the air
Up ahead in the distance, I saw a shimmering light
My head grew heavy and my sight grew dim
I had to stop for the night

There she stood in the doorway;
I heard the mission bell
And I was thinking to myself,
‘This could be Heaven or this could be Hell’
Then she lit up a candle and she showed me the way
There were voices down the corridor,
I thought I heard them say…

Welcome to the Hotel California
Such a lovely place
Such a lovely face
Plenty of room at the Hotel California
Any time of year, you can find it here

Her mind is Tiffany-twisted, she got the Mercedes bends
She got a lot of pretty, pretty boys, that she calls friends
How they dance in the courtyard, sweet summer sweat.
Some dance to remember, some dance to forget

So I called up the Captain,
‘Please bring me my wine’
He said,’We haven’t had that spirit here since nineteen sixty
nine’
And still those voices are calling from far away,
Wake you up in the middle of the night
Just to hear them say…

Welcome to the Hotel California
Such a lovely place
Such a lovely face
They livin’ it up at the Hotel California
What a nice surprise, bring your alibis

Mirrors on the ceiling,
The pink champagne on ice
And she said ‘We are all just prisoners here, of our own device’
And in the master’s chambers,
They gathered for the feast
The stab it with their steely knives,
But they just can’t kill the beast

Last thing I remember, I was
Running for the door
I had to find the passage back
To the place I was before
‘Relax,’said the night man,
We are programmed to receive.
You can checkout any time you like,
but you can never leave

Bientôt disponible

On a dark desert
highway, cool wind in my hair
Warm smell of colitas, rising up through the air
Up ahead in the distance, I saw a shimmering light
My head grew heavy and my sight grew dim
I had to stop for the night

There she stood in the doorway;
I heard the mission bell
And I was thinking to myself,
‘This could be Heaven or this could be Hell’
Then she lit up a candle and she showed me the way
There were voices down the corridor,
I thought I heard them say…

Welcome to the Hotel California
Such a lovely place
Such a lovely face
Plenty of room at the Hotel California
Any time of year, you can find it here

Her mind is Tiffany-twisted, she got the Mercedes bends
She got a lot of pretty, pretty boys, that she calls friends
How they dance in the courtyard, sweet summer sweat.
Some dance to remember, some dance to forget

So I called up the Captain,
‘Please bring me my wine’
He said,’We haven’t had that spirit here since nineteen sixty
nine’
And still those voices are calling from far away,
Wake you up in the middle of the night
Just to hear them say…

Welcome to the Hotel California
Such a lovely place
Such a lovely face
They livin’ it up at the Hotel California
What a nice surprise, bring your alibis

Mirrors on the ceiling,
The pink champagne on ice
And she said ‘We are all just prisoners here, of our own device’
And in the master’s chambers,
They gathered for the feast
The stab it with their steely knives,
But they just can’t kill the beast

Last thing I remember, I was
Running for the door
I had to find the passage back
To the place I was before
‘Relax,’said the night man,
We are programmed to receive.
You can checkout any time you like,
but you can never leave

  WHAT MAKES YOU COUNTRY

  WHISKEY BRIDGES

MUSIQUE : Whiskey Under The Bridge – Brooks & Dunn (US) : 1994     2:53 / 139 BPM
CHORÉGRAPHIE : Maddison Glover (AU) : 01.2018
NIVEAU : Absolute Beginner   /   TYPE : 4 murs – 32 temps – Départ après 16 temps (11 murs au total)
DIVERS : Ending***
LIENS : Clip   –   Danse   –   Script

S.1  1-2-3-4 RIGHT STEP FORWARD – LEFT SCUFFF – LEFT BACK BRUSH + LEFT HOOK – LEFT SCUFF  5-6-7-8 LEFT STEP FORWARD – RIGHT SCUFFF – RIGHT BACK BRUSH + RIGHT HOOK – RIGHT SCUFF

S.2  1-2-3-4 RIGHT STEP FORWARD – LEFT KICK – LEFT BACK STEP – RIGHT TOUCH  5-6-7-8 RIGHT STEP FORWARD – LEFT KICK – LEFT BACK STEP – RIGHT TOUCH

S.3  1-2-3-4 VINE TO RIGHT – LEFT CROSS  5-6-7-8 RIGHT SCISSOR CROSS TOE STRUT

S.4  1-2-3-4 VINE TO LEFT – RIGHT CROSS ***  5-6-7-8 LEFT SIDE ROCK – RECOVER WITH 1/4 TURN RIGHT (3h) – LEFT TOE STRUT

***  Ending ici (6h) : add 4 counts, 1-2-3-4 LEFT SIDE ROCK – RECOVER WITH 1/2 TURN RIGHT – LEFT TOE STRUT

There’s not a heart that ain’t been broken
Or a lie that ain’t been spoken
A shattered dream that brand new love can’t fix
I’ve been burned, I’ve been cheated
But this old heart’s still beating
Ain’t no big deal
It’s just whiskey under the bridge

Let’s dance a little closer
I’ll help you get over
The hurt you thought you never could forget
The bitter tears that you tasted
All those nights you wasted
Don’t look back
It’s just whiskey under the bridge

Well, All those nights of drinking
Finally got me thinking
A heartache is just a waste of time
I’ve been burned, I’ve been cheated
But this old heart’s still beating
Ain’t no big deal
It’s just whiskey under the bridge

— Instrumental —

Yeah, All those nights of drinking
Finally got me thinking
A heartache is just a waste of time
I’ve been burned, I’ve been cheated
But this old heart’s still beating
Ain’t no big deal
It’s just whiskey under the bridge

Oh, it ain’t no big deal
It’s just whiskey under the bridge
Oh, it ain’t no big deal
It’s just whiskey under the bridge…

Paroliers : Don Cook, Kix Brooks et Ronnie Dunn

  WHITE POPPY

MUSIQUE : White Poppy – Ledily Backwest (FR) : 2023    2:44 / 104 BPM
CHORÉGRAPHIE : Agnès Gauthier (FR), David Villellas (ES), Marie Claude Gil (FR), Rob Fowler (UK) et Séverine Fillion (FR) : 10.2023
NIVEAU : High Beginner   /   TYPE : 4 murs – 32 temps – Départ après 16 temps (9 murs au total)
DIVERS : 1 Restart* au mur 3 après 24 temps (face à 12h) / Ending***
LIENS : Clip   –   Danse   –   Script

S.1  1-2-3&4 RIGHT WALK – LEFT WALK – RIGHT STEP MAMBO FORWARD  5&6-7-8 LEFT COASTER STEP *** – RIGHT STEP FORWARD – 1/4 TURN LEFT (9h)

S.2  1&2-3&4 RIGHT RUMBA FORWARD – LEFT RUMBA FORWARD  5&6-7&8 RIGHT MAMBO STEP FORWARD – LEFT SAILOR STEP WITH 1/4 TURN LEFT (6h)

S.3  1&2-3&4 [RIGHT KICK – RIGHT HOOK – RIGHT STEP FORWARD] – [LEFT KICK – LEFT HOOK – LEFT STEP FORWARD] – 5-6-7&8 RIGHT STEP FORWARD – LEFT KICK – LEFT COASTER STEP *

*  Restart here on wall 3 (facing 12h)

S.4  1-2-3&4 RIGHT STEP FORWARD – 1/2 TURN LEFT (12h) – RIGHT TOUCH FORWARD & RIGHT HEEL TWIST  5&6&-7&8& VAUDEVILLE TO LEFT & RIGHT TOGETHER – VAUDEVILLE TO RIGHT WITH 1/4 TURN LEFT (9h) & LEFT TOGETHER

***  Ending here (9h) : add 4 counts, 1-2&3-4 RIGHT STEP FORWARD – 3/4 TURN LEFT & LARGE RIGHT SIDE STEP – LEFT TOGETHER

  WHITE ROSE

VIDÉO MUSIQUE : White Rose – Toby Keith (2007)     3:48

VIDÉO DANSE : chorégraphie de Gaye Teather (UK) : 12.2005

SCRIPT PDF : niveau High Beginner

DESCRIPTION : 4 murs – 36 temps – Départ après 64 temps



S.11-2 RIGHT STEP – LEFT POINT BEHIND  3-4 LEFT BACK – RIGHT CROSS POINT  5-6-7-8 RIGHT STEP – LEFT LOCK – RIGHT STEP – LEFT BRUSH
S.21-2 LEFT STEP – 1/2 TURN RIGHT (6h)  3-4 LEFT STEP – 1/2 TURN RIGHT (12h)  5-6-7-8 LEFT SCISSOR STEP – HOLD + CLAP
S.31-2-3-4 RIGHT DIAGONAL BACKWARD – LEFT TOUCH + CLAP – LEFT DIAGONAL BACKWARD – RIGHT TOUCH + CLAP  5-6-7-8 RIGHT BACKWARD – LEFT LOCK – RIGHT BACKWARD – LEFT TOUCH
S.41-2-3-4 LEFT RUMBA FORWARD – HOLD  5-6-7-8 RIGHT RUMBA BACKWARD – HOLD
S.5 (4T)1-2-3-4 LEFT SAILOR STEP WITH 1/4 TURN LEFT (9h) – HOLD

  WHOLE AGAIN

MUSIQUE : Whole Again – Atomic Kitten (UK) : 2000     3:05/94BPM
CHORÉGRAPHIE : Sue Johnstone (UK) : 02.2001
NIVEAU : High Beginner   /   TYPE : 2 murs – 32 temps – Départ après 16 temps (9 murs au total)
DIVERS : Ending***
LIENS : Clip   –   Danse   –   Script

S.1  1-2-3&4 RIGHT SIDE ROCK – RECOVER – [RIGHT BEHIND & LEFT SIDE STEP – RIGHT CROSS]  5-6-7&8 LEFT SIDE ROCK – RECOVER – 1/4 TURN LEFT (9h) + LEFT COASTER STEP

S.2  1-2-3&4 RIGHT STEP FORWARD – 1/2 TURN LEFT (3h) *** – RIGHT SHUFFLE WITH 1/2 TURN LEFT (9h)  5-6-7&8 LEFT BACK ROCK – RECOVER – LEFT SHUFFLE FORWARD

S.3  1-2-3&4 RIGHT STOMP FORWARD – HOLD – LEFT SCISSOR CROSS  5-6-7&8 RIGHT SIDE STOMP – HOLD – LEFT SAILOR SIDE

S.4  1-2-3&4 RIGHT ROCK FORWARD – RECOVER – 3/4 TURN RIGHT (6h) WITH TRIPLE STEP ON PLACE (R-L-R)  5-6-7&8 LEFT ROCK FORWARD – RECOVER – LEFT COASTER CROSS

***  Ending ici (3h) : add 2 counts, 1-2 1/4 TURN RIGHT – RIGHT SIDE STEP

If you see me walking down the streetStaring at the skyAnd dragging my two feetYou just pass me byIt still makes me cryBut you can make me whole again
 
And If you see me with another manLaughing and jokingDoing what I canI won’t put you down‘Cause I want you aroundYou can make me whole again
 
Looking back on when we first metI cannot escape and I cannot forgetBaby you’re the one, you still turn me onYou can make me whole again
 
Time is laying heavy on my heartSeems I’ve got too much of itSince we’ve been apartMy friends make me smileIf only for whileYou can make me whole again
 
Looking back on when we first metI cannot escape and I cannot forgetBaby you’re the one, you still turn me on
 
You can make me whole again
 
For now I’ll have to waitBut baby if you change your mind
 
Don’t be too late‘Cause I just can’t go onIt’s already been too longBut you could make me whole again
 
Looking back on when we first metI cannot escape and I cannot forgetBaby you’re the one, you still turn me onYou can make me whole againWhoa – looking back on when we first metI cannot escape and I cannot forgetBaby you’re the one, you still turn me onYou can make me whole againOh baby you’re the one, you still turn me onYou can make me whole again
 
Paroliers : Bill Padley / Jeremy Peter Godfrey / Stuart Kershaw / Andrew Mc Cluskey
Paroles de Whole Again © Kassner Associated Publishers Ltd., Windswept Music (london) Limited, Windswept Music (london) Ltd, Windswept Pacific Music Ltd, Blue Noise Ltd, Special Themes Scc Limited

  WHY INDIANA

MUSIQUE : Why Indiana – Parker McCollum (US) : 2021     3:32/116BPM
CHORÉGRAPHIE : Marie Claude Gil (FR) : 06.202
NIVEAU : Beginner   /   TYPE : 4 murs – 32 temps – Départ après 32 temps (11 murs au total)
DIVERS : 1 Restart* au mur 5 après 16 temps (face à 6h) / Ending***
LIENS : Clip   –   Danse   –   Script

S.1  1-2-3&4 RIGHT WALK – LEFT WALK – [RIGHT KICK & RIGHT BALL – LEFT CHANGE]  5-6-7&8 RIGHT WALK – LEFT WALK – [RIGHT KICK & RIGHT BALL – LEFT CHANGE]

S.2  1-2-3&4 RIGHT STEP FORWARD – 1/2 TURN LEFT (6h) – RIGHT SHUFFLE FORWARD  5&6-7-8 LEFT SHUFFLE FORWARD – RIGHT ROCK FORWARD – RECOVER

*  Restart here on wall 5 (facing 6h)

S.3  1-2-3-4 RIGHT SIDE ROCK – RECOVER – RIGHT CROSS – HOLD  5-6-7-8 LEFT SIDE ROCK – RECOVER – LEFT CROSS – HOLD

S.4  1-2-3-4 VINE TO RIGHT – LEFT CROSS  5-6-7-8 RIGHT SIDE ROCK – RECOVER WITH 1/4 TURN LEFT (3h) – FULL TURN TO LEFT (RIGHT – LEFT) ***

***  Ending here (12h)

Well it could have been VegasOr somewhere way out westSomewhere where the worldAin’t beating back into my chestFrom hearing you saying goodbye
 
Could’ve been in MemphisWith an old man singing my bluesInstead of way out hereWithout a damn thing to doI know it’s over and you don’t love me anymore
 
Why Indiana? Why not San Anton?I’d still be drinking, just not on my ownThis busted heart, yeah, it hurts so badI laugh just to keep from cryingWhy Indiana, on a clear sky day?Why not in Portland, in the pouring rain?To hear your voice on the other end of the phoneSay you’re tired of trying
 
Could’ve been in personCould’ve been face to faceMaybe you could’ve let meWatch you drive awayAnd see those taillights fade
 
Why Indiana? Why not San Anton?I’d still be drinking, just not on my ownThis busted heart, yeah, it hurts so badI laugh just to keep from cryingWhy Indiana, on a clear sky day?Why not in Portland, in the pouring rain?To hear your voice on the other end of the phoneSay you’re tired of tryingSo tired of trying
 
Why Indiana, on a clear sky day?Why not in Portland, in the pouring rain?To hear your voice on the other end of the phoneSay you’re tired of tryingSo tired of tryingWhy’d you quit trying?
 
Paroliers : Erik Dylan Anderson / Parker Yancey McCollum / Randy Ennis Schlappi
Paroles de Why Indiana © Peermusic Publishing, Warner Chappell Music, Inc

  WILD HEARTS (EZ)

MUSIQUE : Wild Hearts – Keith Urban (US/AU) : 2021      3:03 / 117 BPM
CHORÉGRAPHIE : Steve Cavanaugh (US) : 09.2021
NIVEAU : Absolute Beginner   /   TYPE : 2 murs – 32 temps – Départ après 8 temps (11 murs au total)
DIVERS : Ending***
LIENS : Clip   –   Danse   –   Script

S.1  1-2-3-4 RIGHT SIDE TOE STRUT – LEFT BACK ROCK – RECOVER  5-6-7-8 LEFT SIDE TOE STRUT – RIGHT BACK ROCK – RECOVER

S.2  1-2-3-4-5-6-7-8 (RIGHT K-STEPS + CLAPS)
RIGHT DIAG. STEP FORWARD – LEFT TOUCH + CLAP – LEFT DIAG. STEP BACK – RIGHT TOUCH + CLAP
RIGHT DIAG. STEP BACK – LEFT TOUCH + CLAP – LEFT DIAG. STEP FORWARD – RIGHT TOUCH + CLAP ***

S.3  1-2-3-4 VINE TO RIGHT – LEFT TOUCH  5-6-7-8 VINE TO LEFT WITH 1/4 TURN LEFT (9h) – RIGHT TOUCH

S.4  1-2-3-4 VINE TO RIGHT – LEFT TOUCH  5-6-7-8 VINE TO LEFT WITH 1/4 TURN LEFT (6h) – RIGHT TOUCH

***  Ending here (12h)

Saw the man in black, spotlight in the airHeard a thousand screams, I saw my daddy stareFeel like I’ve been runnin’ since the day that I was bornEagle on my back, phoenix on my arm
 
This goes out to the driftersAnd all of the dreamers ready to flyAll those born to be rock starsLifting their guitars and painting the skyCan you hear me?All of you lost ones who aren’t really lost onesKeep shining your lightThis goes out to the wild cards and all of the wild heartsJust like mine
 
Now listenHas anyone ever told you, you’ll never amount to anythingYou’re just wasting your time chasing the tail of a dragon kind of dreamBut I’m here to tell you anything can happen in this lifeIf you got that heart and the passion and a God lit fire inside
 
This goes out to the driftersAnd all of the dreamers ready to flyAll those born to be rock starsLifting their guitars and painting the skyCan you hear me?All of you lost ones who aren’t really lost onesKeep shining your lightThis goes out to the wild cards and all of the wild heartsJust like mine
 
Oh, yeahWoo, haJust like mineOh oh, oh yeah, mm
 
Ooh and this goes out to the driftersAnd all of the dreamers ready to flyAll you born to be rock starsLifting your guitars and painting the sky, ooh
 
This goes out to the drifters (woo)And all of the dreamers ready to fly (hey)All those born to be rock starsKeep lifting your guitars and painting the sky (oh, hear me now)(Can you hear me?) Can you hear me?All of you lost ones who aren’t really lost ones (woo)Keep shining your light (uh, keep shining)This goes out to the wild cards who’s got the wild heartJust like mine
 
Paroliers : Brad Tursi / Eric Paslay / Jennifer Wayne
Paroles de Wild Hearts © BMG Rights Management, Peermusic Publishing, Universal Music Publishing Group